Metrograph

Newlywed Kerry becomes suspicious of her husband, Grant, when he starts manifesting signs of what seem to be superpowers in Plympton’s surreal film of shape-shifters, unusual sexual couplings, and covetous conglomerates. Screens with shorts Hot Dog and Santa the Fascist Years.

“Probably the socket and most twisted feature I ever created. And possibly the most twisted that anyone created.” —Bill Plympton

Introduction by director Bill Plympton on Sunday, June 1st